in 18th & 19th century nonconformity

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this blog is my notes and other scraps from and inspired by my current humanities adventure at UVU: Origins of the Avant-garde in 18th/19th century nonconformity taught by Alex Caldiero.
Showing posts with label language. Show all posts
Showing posts with label language. Show all posts

Monday, August 31, 2009

terms of interment

Notes for 8/28/09

Romanticism
many applications of the term
-writing in a romantic language

in the middle ages the romance languages started seperating themselves from Latin (around 1000-1200) and forming their own identities, becoming more gestural and emotional - outside of the traditional system of Latin.

"Language starts misbehaving"

-dramatic
-overtly emotional
-gestural
-exotic/foreign
-nature ...true to nature, recognizing our human nature

the romantic implulse - yearning - nonconformity


Nonconformity / Conformity
-pivotal relationship between the two
-the two are not in balance or ever in synthesis, always one or the other, or..the pivot
-constant state of imbalance and pivoting
-cultural dynamics - culture & counter culture

"A civilization is most creative when its pivoting" (also individuals)

-dichotomy, coexistence of different aspects of itself which are constantly at odds
-the pivot is the creative part, once you land on one side or the other you establish what you've created.

Avant-garde
military term (french) - the soldier who's assignment was to go ahead to check out the terrain & come back with information on how and where to proceed next.

-experimental. searching, trial and error. makes you an outsider.
-the origins of this are in nonconformity
-dynamicism, the nature of the pivot. cannot define, cannot be sure where you are.

definite/indefinite universal/particular shape/shapeless
clarity/confusion madness/insanity science/pseudoscience

The &. & & & & & & & NOT either/or, but AND. Not one or the other but BOTH, but they are distinguished as contradictory forces, dichotomies (rather than dualisms). MULTIPLICITY and coexistence, not harmony.

*book: The Boundary Between Madness & Insanity

thoughts:
Tesla: accepted at first, but later rejected because he kept experimenting and pushing boundaries even after 'substantial' discoveries had already been made. (note to self: research Tesla)

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Student at Utah Valley University studying Humanities, Philosophy, Sociology and Anthropology.